Lost Covers, Vol. 4

Man, has it really been this long already? Last week HQCovers has officially turned five. By now it has learned to write its own name and has become extremely picky when it comes to dress up in the morning. Also, its extended warrany has now expired, so your chance to file a complaint is officially over ;-) I deliberately didn’t parade this anniversary, because this blog is essentially the digital extension of my own self and thus doesn’t like to stand in the spotlight. Instead I once again let the art speak for itself. I’m actually publishing Vol. 4 of this ongoing thing,…

“Alien: Covenant” by Jed Kurzel

Considering the amount of time I’ve spent on Alien: Covenant‘s predecessor, I’m really as quick as lightning with this week’s custom covers collection. But you gotta be fair, I didn’t even roughly try to spend the same effort or reach the same scope as on Prometheus. And that’s okay, because at this point in time the available source material is nowhere near as good. The official marketing campaign brought us some spine-chillingly (or rather back-burstingly) good posters, yet overall I was a bit disappointed. Even more so when I think about how Ridley Scott in his old age seems to be getting better and better. In the…

“Prometheus” by Marc Streitenfeld, Harry Gregson-Williams

My most wanted film of 2012 was Prometheus by Ridley Scott. Despite all its mind-boggling flaws, I still enjoyed the hell out of this movie. A thing that initially couldn’t be said about Marc Streitenfeld’s score though. While it’s still very effective and on certain tracks actually really good, it definitely fell behind the previous four scores of the Alien saga (yes, even Resurrection). Having said that, it kinda grew on me over time and I really appreciate the score now for being able to set the mood. Its atmospheric and unsettling sounds deserve recognition and what better way than…

“9” by Deborah Lurie, Danny Elfman

Let’s pretend for a moment that you’re recording a thoughtful and highly entertaining in-depth podcast about the Deborah Lurie/Danny Elfman score 9. How do you make sure people are actually stumbling upon your work? It’s not like Shane Acker’s film was anywhere near the hottest shit coming out in 2009. And popular search results on Google or YouTube may vary wildly depending on your personal browser history. So this may be a very ungrateful soundtrack to tackle. Yet here I am, adding another 9-movie-related website no-one’s ever gonna find beneath the gazillions of dumb mind candy clickbait à la “9 Insane…