Jeff Nichols’ magnificent psychological drama Take Shelter really caught me off guard. It’s one of those films that captivates you from the very first scene. The story starts with little exposition and you’re thrown into a situation you don’t really understand (just like the main protagonist). As more time passes by, things become more and more difficult. He who tries to solve unearthly problems with rational thinking, is heading for disaster – in the most literal way. It’s a true gem of a film, one that left me speechless while I tried to process the unrelenting downward spiral that I’ve just witnessed. And…
Hello and Welcome to HQCovers, a personal blog dedicated to the beauty and awesomeness of original and customized soundtrack artworks.
“Take Shelter” by David Wingo
“The Void” by Blitz//Berlin, Various Artists
“The Host” by Byeongwoo Lee
Lost Covers, Vol. 4
“Game of Thrones” by Ramin Djawadi
The Void. That is all.
There was a time in the early 2000’s when I was particularly keen on Asian horror flicks. It all started with – I kid you not – an unmarked copy of Ju-On: The Grudge which a friend brought over. We’ve watched it late at night on my shitty telly, knowing nothing at all about it. And it totally caught us off guard and terrified us down to the bones. After that intense experience I craved for more. I’ve hunted down a whole bunch of films, such as the original Ringu, Uzumaki, Pulse (Kairo) or the episodic Three… Extremes. They were all…
Man, has it really been this long already? Last week HQCovers has officially turned five. By now it has learned to write its own name and has become extremely picky when it comes to dress up in the morning. Also, its extended warrany has now expired, so your chance to file a complaint is officially over ;-) I deliberately didn’t parade this anniversary, because this blog is essentially the digital extension of my own self and thus doesn’t like to stand in the spotlight. Instead I once again let the art speak for itself. I’m actually publishing Vol. 4 of this ongoing thing,…
You may have already heard of or even played Fumito Ueda’s latest masterpiece The Last Guardian. For those who didn’t, it’s a PlayStation game that has been in active development for mind-boggling ten years. But last November it finally hit the shelves and with it came one of the most beautiful game soundtracks of recent times. Takeshi Furukawa’s original score covers the whole range. From the sensitive piano driblets that emphasize the touching relationship between the boy and the beast, to propulsive but never repetitive rhythm sections that drive you forward during the tense action sequences. Atop of that Furukawa wrote…