There’s a whole subgenre of comedy films that address both humor and sadness. Such as In Bruges, Sideways or even Eternal Sunshine of the Spotless Mind, if you like. I think those are the most rewarding “funny” films out there. They retain a certain bitterness at heart, thus making the light-hearted moments even brighter. Real-life inspired fairytale The Intouchables, one of France’s biggest film exports of the past few years, was one of those heart-warming and touching comedies. It successfully treaded the fine line between slapstick humor and unadorned hard reality. And I think one of the main reasons it worked so well as a whole…
Hello and Welcome to HQCovers, a personal blog dedicated to the beauty and awesomeness of original and customized soundtrack artworks.
“The Intouchables” by Ludovico Einaudi, Various Artists
“Stranger Things: Season Two” by Kyle Dixon, Michael Stein, Various Artists
“Stranger Things” by Kyle Dixon, Michael Stein, Various Artists
If you’re following my facebook channel you may have already seen a lot of these covers. It was at the end of August when Netflix began to put out weekly Stranger Things tribute posters, each one resembling a famous movie from the past. Back then I was working on a new, massive sci-fi project and I felt a little exhausted designing inserts, back covers and disc labels. Any distraction felt like a welcome change. So I began to turn those posters into square album covers, if only to take a little breath. Though I didn’t realize the new heights this…
Jeff Nichols’ magnificent psychological drama Take Shelter really caught me off guard. It’s one of those films that captivates you from the very first scene. The story starts with little exposition and you’re thrown into a situation you don’t really understand (just like the main protagonist). As more time passes by, things become more and more difficult. He who tries to solve unearthly problems with rational thinking, is heading for disaster – in the most literal way. It’s a true gem of a film, one that left me speechless while I tried to process the unrelenting downward spiral that I’ve just witnessed. And…
The Void. That is all.
There was a time in the early 2000’s when I was particularly keen on Asian horror flicks. It all started with – I kid you not – a selfmade, unlabeled copy of Ju-On: The Grudge that a friend brought along. We’ve watched it late at night on my shitty telly, knowing nothing at all about it. And it totally caught us off guard and terrified us down to the bones. After that intense experience I craved for more. I’ve hunted down a whole bunch of films, such as the original Ringu, Uzumaki, Pulse (Kairo) or the episodic Three… Extremes. They were…