“Titanic (The Deluxe Edition)” by James Horner

James Cameron, known for being one, if not the most innovative and meticulous filmmaker out there, was responsible for the two highest grossing films of all time. And both prominently utilized two of the most ill-reputed typefaces of all time. It’s almost as if they did it on purpose… only to mock us typophiles. Producing a hollywood blockbuster for an allegedly production budget of $237 million dollar and then making use of “Papyrus” (a font that came free with every Windows and Mac OS computer) certainly feels somewhat ironic, there’s no denying that. Even Ryan Gosling thinks so. Ten years…

“Blade Runner 2049” by Benjamin Wallfisch, Hans Zimmer

There’s a lot to love about Blade Runner 2049, whether it’s the faithful continuation of the story from original pen Hampton Fancher or the stunningly beautiful cinematography from camera virtuoso Roger Deakins. A lot of things that deserve to be praised. Unfortunately the films marketing campaign ain’t one of them. And it’s a real shame, because, considering its poor box office performance, this film really could have used some catchy and favourable media coverage. Instead we got this trite orange & teal trivialities that look nothing like Denis Villeneuve’s dark nuanced neo-noir thriller. Not like the barren wastelands and certainly…

“Star Wars: The Last Jedi” by John Williams

Almost exactly two years ago I was just about to finish what would become HQCovers‘ most successful blog entry so far: Star Wars: The Force Awakens. It was a massive undertaking, at least from my perspective. Nineteen (quite complicated) custom covers and related in-depth liner notes. All in all it took me about eight weeks, which is quite a lot compared to other entrys on this site. That’s why I decided that this year I’ll make it fast and easy. And by fast and easy I mean that I re-used most of my old templates and knocked out this entire collection over…

“The Intouchables” by Ludovico Einaudi, Various Artists

There’s a whole subgenre of comedy films that address both humor and sadness. Such as In Bruges, Sideways or even Eternal Sunshine of the Spotless Mind, if you like. I think those are the most rewarding “funny” films out there. They retain a certain bitterness at heart, thus making the light-hearted moments even brighter. Real-life inspired fairytale The Intouchables, one of France’s biggest film exports of the past few years, was one of those heart-warming and touching comedies. It successfully treaded the fine line between slapstick humor and unadorned hard reality. And I think one of the main reasons it worked so well as a whole…

“Stranger Things: Season Two” by Kyle Dixon, Michael Stein, Various Artists

If you’re following my facebook channel you may have already seen a lot of these covers. It was at the end of August when Netflix began to put out weekly Stranger Things tribute posters, each one resembling a famous movie from the past. Back then I was working on a new, massive sci-fi project and I felt a little exhausted designing inserts, back covers and disc labels. Any distraction felt like a welcome change. So I began to turn those posters into square album covers, if only to take a little breath. Though I didn’t realize the new heights this…