The John Williams of the new century is a notably different affair than the one we’ve come to love and admire during the 70’s and 80’s. His musical palette was enriched by a darker and more mature sound, often times omitting the hummable themes he’s become famous for. Maybe it’s especially that new quality, that required (and ultimately rewarded) repeated listenings, that turned War of the Worlds into one of my favourite John Williams scores. Much to my delight I was able to incorporate all official logo treatments into this custom cover series (#1 to #4), even though the perspective is slightly…
Category: Mockups
The following posts contain Photoshop mockups, which are scattered all over the place at HQCovers, so I found it necessary to give them their own category.
“Star Wars: The Force Awakens” by John Williams
October 30th 2012, 9:15 pm I’m lying in my bed with a cold and a headache, staring at my iPhone in pure shock. I’m reading a text message from my pal which says “Disney buys Lucasfilm for $4 billion. New trilogy coming. Episode VII due for 2015.” I have the weirdest fever dreams that night and it takes me a few days to fully realize the impact of that news. What follows are months and months of speculations, discussions, phantasies and dreams. What an amazing time to be a Star Wars fan… October 20th 2015, 8:15 pm I fire up…
“The Fallout Series” by Inon Zur
A quick shot for this year’s biggest social life killer: Fallout 4. I had no plans at all to make something for Inon Zur’s soundtrack album, but then Bethesda got me hooked on a Fallout panorama advertisement with which they kept plastering my facebook wall. It inspired me to make this understated digipak cover. It also kinda reminded me of Nick Cave and Warren Ellis’ endtimer The Road. And since the official soundtrack has a running time of more than three and a half hours, I decided to try something new. I modified an existing Photoshop mockup template of mine and turned it into this 6-panel-digipak set which opens…
“Wolf Totem” by James Horner
This requested custom covers series was an interesting one. Working on a soundtrack album that was released and marketed (from the same label mind you) under three different names was something new for me. How do I name it and what title do I put on which artwork? I liked the visual fluency of the Chinese logo. It went well in conjunction with the English title. The French one Le Dernier Loup however didn’t work for me so I left it out deliberately. While the official album for US markets (#1) comes across a little grim, the French one (#2) is indeed beautiful and evokes a true spirit of adventure. Milan Records added a butt ugly…
“Spectre” by Thomas Newman
I am not really a James Bond fan. The movies do have my recognition for leaving a cultural mark on the film business and pop culture in general. But I’m not awaiting every new entry in eager anticipation. I also appreciate the modern twist that Daniel Craig brought into the franchise – which says it all basically. It was more because of Sam Mendes and especially Thomas Newman, that really got me enthusiastic in these films (and scores). But with the lukewarm reception of Spectre this short-lived collaboration may be approaching its end. And my James Bond custom covers series may as well. The poster campaign once…





