Lost Covers, Vol. 4

Man, has it really been this long already? Last week HQCovers has officially turned five. By now it has learned to write its own name and has become extremely picky when it comes to dress up in the morning. Also, its extended warrany has now expired, so your chance to file a complaint is officially over ;-) I deliberately didn’t parade this anniversary, because this blog is essentially the digital extension of my own self and thus doesn’t like to stand in the spotlight. Instead I once again let the art speak for itself. I’m actually publishing Vol. 4 of this ongoing thing,…

Lost Covers, Vol. 3

The unwanted brainchilds, the dispassionate requests, the okay’ish ones I guess and the late comers. Also the lone wolves that’d definitely deserve a single post but somehow didn’t end up in one. They all suffer the same fate: Being dumped into this consolation prize of a blog entry, without the chance of ever being the single featured image on the front page. For the third time now. I should rename this series into The Good, the Bad and the Tragically Misjudged. But Lost Covers rolls off the tongue more elegantly. Though not everything’s lost on these to be honest. This time I’ve included two covers, that rightfully deserve a gallery…

“Minority Report” by John Williams

Minority Report ranks up pretty high on my personal Steven Spielberg hitlist. In fact it’s still my favourite film of his from this century. Imho it’s one of those rare cases in which a stellar script and an even better screen adaptation result in the pinnacle of blockbuster movie-making. Be it the bleak and high contrasted visuals, an authentic and well thought out world, or the exciting but reasonable action setpieces (a Spielberg trademark!). Minority Report has it all. The level of perfection and craftsmanship is astounding. And I kinda missed that side of Spielberg in the last decade. John…