“Collateral” by James Newton Howard, Antonio Pinto, Tom Rothrock, Various Artists

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Michael Mann’s Collateral is a troubled rag rug of a score, with composer’s duties allegedly split up among nine different people. While James Newton Howard has been the one to walk away with the official credit, Brazilian film score composer Antonio Pinto and also musician/producer Tom Rothrock contributed easily as many musical cues as Howard. However, with the recent release of a Special Collection by Intrada’s this matter has been ended once and for all and Collateral is now officially being considered a James Newton Howard score. Despite that circumstance I’ve decided to keep my custom covers (#2, #3) fairly nonspecific. So no matter what release you…

“It Follows” by Disasterpeace

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One of the scariest films of 2015 for me was It Follows by David Robert Mitchell. This clever little indie shocker gave me the creeps! I started watching it fairly relaxed, chillin’ out on my couch on a late friday. Twenty minutes in I was sitting upright, completely awake. Then I started to get paranoid about the wall behind me, or rather the empty space between the wall and the edge of my couch, where I was by this time perched in high tension. Upon reaching the end of the film I had locked myself in the livingroom, blinds down and…

“Minority Report” by John Williams

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Minority Report ranks up pretty high on my personal Steven Spielberg hitlist. In fact it’s still my favourite film of his from this century. Imho it’s one of those rare cases in which a stellar script and an even better screen adaptation result in the pinnacle of blockbuster movie-making. Be it the bleak and high contrasted visuals, an authentic and well thought out world, or the exciting but reasonable action setpieces (a Spielberg trademark!). Minority Report has it all. The level of perfection and craftsmanship is astounding. And I kinda missed that side of Spielberg in the last decade. John…

“High-Rise” by Clint Mansell

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Ben Wheatley’s new film High-Rise is a highly stylized, urban dystopia. A parable of greed and class society, at times chockingly funnny, at other times quite thought-provoking. It takes the same line as Bong Joon-ho’s Snowpiercer and couldn’t be any more relevant these days, even though the literary original is over four decades old. It is also a prime example of a music album I was immediately interested in solely based on its eye-catching artwork. Of course that statement was only true until I got to know the man behind it… Clint Mansell. I’ve always been a fan of his music – after all I dedicated my very…

“Final Fantasy: The Spirits Within” by Elliot Goldenthal

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Final Fantasy: The Spirits Within turns 15 this year, and it hasn’t aged that well to be honest. The visuals were groundbreaking back then, but don’t get anyone excited about nowadays. The score on the other hand is still one of Goldenthal’s best. And that is saying something, because Elliot Goldenthal himself is still one of the very best of his game, even though his film score output has slowed down significantly. So, on the occasion of this anniversary my dear audio-engineering friend SonicAdventure decided to brush off the dust and polish up this forgotten diamond. And I was graced with helping out on…