“Inherent Vice” by Jonny Greenwood, Various Artists

A quick throw-in for Jonny Greenwood’s latest effort. The whole ad campaign for Inherent Vice takes us back to Boogie Nights times and I’m sure every P.T. Anderson fan goes nuts for this film. Overall this 80’s inspired neon style is currently coming back big time. To use this widescreen banner for the custom digipack was self-evidently, I’m only wondering why no-one else did it before me (at least in the custom cover circles I’m hanging around). Not much work was necessary for this cover. I just had to get hold of the proper font types (“Drescher Grotesk” and “HLT RollingPen“) and extended the artwork a little bit…

“Looper” by Nathan Johnson

Ever since Brick I’m a Rian Johnson fan. I was delighted to see him being catapulted into Hollywood’s writer/director A-list with the success of his Sci-Fi-Brainer Looper. I think the film is a classic grower, that gets better and better with every viewing. Oddly enough, as often as I have seen it already, I’ve never really noticed Nathan Johnson’s score for it. And I still can’t recall any piece of music from the film to this date (unlike Brick which I love listening to). To be honest, my main motivation for doing this series, was the original cover artwork (#1) which looks really fantastic! I love…

“The Book of Eli” by Atticus Ross

After all the success Trent Reznor and Atticus Ross had with their past efforts, it’s really interesting to hear only Ross’ side of the coin. To be able to go back to a time before the duo started collaborating on soundtracks. The Book of Eli shows very clearly, that all the elements of his later work were already present, albeit not in the same well-elaborated form. My goal for this cover series was to provide the same quality design for Atticus Ross’ solo work, as I did before for The Social Network, The Girl With the Dragon Tattoo and Gone Girl. I wanted to give the soundtrack the feel…

“Aliens” by James Horner

There’s a very interesting article on Strange Shapes about what we would’ve gotten, had Ridley Scott directed the Alien II sequel. Long story short, it’s basically Prometheus in a nutshell. And I also predict, we wouldn’t have seen and especially heard James Horner composing a rousing and frenzy score as he did for James Cameron’s Aliens. That would have been a real pity, since it may be my favourite James Horner score of all. And one that most certainly defined my childhood and its nightmares. When I was 10 years old, listening to the vague descriptions from my brother and his friends (“It was…

“Nightcrawler” by James Newton Howard

I love the fact that James Newton Howard can write scores like Maleficent and Nightcrawler within the same year. Compare the lush and romantic beauty of the former with the strange yet oddly efficient combination of electronica and woodwinds of the latter and you couldn’t go further apart. This one wasn’t on my to-do list at all, but once the original artwork (#1) popped up on the net, I changed my mind all of a sudden. Who wouldn’t want to have a picture full of awesomeness on his website? This series started off fairly easy with a custom cover based on the official…