“Prometheus” by Marc Streitenfeld, Harry Gregson-Williams

Categories: Alternates/Rejected Covers · Custom Covers · Limited Signature Edition · Mockups · Original Covers · Remakes · Singles/EPs · Tribute Covers · Vinyl CoversTags: · · · 25 Comments

My most wanted film of 2012 was Prometheus by Ridley Scott. Despite all its mind-boggling flaws, I still enjoyed the hell out of this movie. A thing that initially couldn’t be said about Marc Streitenfeld’s score though. While it’s still very effective and on certain tracks actually really good, it definitely fell behind the previous four scores of the Alien saga (yes, even Resurrection). Having said that, it kinda grew on me over time and I really appreciate the score now for being able to set the mood. Its atmospheric and unsettling sounds deserve recognition and what better way than…

“ADR1FT” by Adam Orth

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A few days ago I got the chance to play ADR1FT on a virtual reality setup – and it was absolutely mind-blowing. As long as I can remember I have been fascinated by space. As utopian as it may be, it has always been a lifelong dream of mine to float in outer space and look down to Earth. To see this marvelous, blue glowing ball hanging in front of me with nothing in between but black void. And I think ADR1FT has fulfilled this dream as much as possible. I can now somewhat imagine what it must feel like to float in zero G,…

“Kong: Skull Island” by Henry Jackman

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For the most part I was pretty underwhelmed by Kong: Skull Island. Instead of being entertained by an adventurous thrill ride I was irritated by a whole lot of problems. The “plot” is an absolute joke. Pacing is all over the place. The characters are your usual stereotypes… and even the monster fights can’t stand a chance against Peter Jackson’s King Kong from 2005. It seems like there’s not much left to like about this film. Certainly not Henry Jackman’s mediocre score. Okay, maybe the atmospheric cinematography by Larry Fong. And a particularly nice typography during the film’s opening and closing credits. But there’s…

“Ex Machina” by Ben Salisbury, Geoff Barrow

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My clean-cut plan to raise visitor stats from last week’s blog post seemed to work. All facts at hand are providing a strong suspicion that at least one of my two additional visitors was redirected here through those cleverly placed hashtags. To calm the crowd I immediately follow up this week with a not-so-popular soundtrack. In fact, I’m pretty sure that the bulk of film music fans couldn’t care less about an electronic score like Ex Machina. But I do. In my book it’s an absolute benchmark when it comes to audio post-production. Alex Garland’s directorial debut is an amazing, downright incredible visual experience, but combined with the musical score from…

“9” by Deborah Lurie, Danny Elfman

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Let’s pretend for a moment that you’re recording a thoughtful and highly entertaining in-depth podcast about the Deborah Lurie/Danny Elfman score 9. How do you make sure people are actually stumbling upon your work? It’s not like Shane Acker’s film was anywhere near the hottest shit coming out in 2009. And popular search results on Google or YouTube may vary wildly depending on your personal browser history. So this may be a very ungrateful soundtrack to tackle. Yet here I am, adding another 9-movie-related website no-one’s ever gonna find beneath the gazillions of dumb mind candy clickbait à la “9 Insane…