“Interstellar” by Hans Zimmer

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I was looking forward to Interstellar for a very long time. Back when it still was a Steven Spielberg (and therefore a John Williams) project, I’ve already anticipated every bit of information I could find and reading the plot synopsis about a science fiction film based on Kip Thorne’s theories on gravity and wormholes exalted my imaginations beyond limits. Seeing it coming together as a Christopher Nolan flick made me worried at first. But now, after having seen the movie, I can faithfully say, that this may be the best and truest adaptation I could have ever dreamed of. Even now, days later, I’m still pumped for the…

“The Maze Runner” by John Paesano

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I haven’t heard John Paesano’s recently released score to The Maze Runner yet, but the composer stated officially, that among the music that has influenced his work on it, were John Williams‘ celebrated score for Jurassic Park, Jerry Goldsmith’s haunting compositions for Alien, and Hans Zimmer’s emotive score to The Thin Red Line. Quite an eclectic choice of references. But I’m not here to judge over the music today. I’m here for the design… obviously. It’s the teaser poster by creative agency Cold Open, that caught my eye in the first place. And a few days ago I thought to myself, why…

“The Girl With the Dragon Tattoo” by Trent Reznor, Atticus Ross

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When Trent Reznor and Atticus Ross’ score to The Girl With the Dragon Tattoo was released in December 2011, the online film music fanbase had just calmed down from ranting and raving about the duo’s first foray into the holy realm of film scoring, The Social Network. Feelings ran high, especially after they snatched the 2011 Best Original Score Oscar from all the other honourable composers. So when Reznor announced a massive two and a half hour long 6-LP-Set for Dragon Tattoo, soundtrack critics around the world must have been completely baffled. And indeed they were… Regardless of the debatable quality of the music, the package it came…

“Snowpiercer” by Marco Beltrami

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I‘ve read an interesting interview with Marco Beltrami the other day in which especially one quote of him stood out for me and made me think. On the question, whether he thinks that genre movies and scores would stick out if they were as offbeat as Snowpiercer, Beltrami said the following: Well Im not sure what the “genre” is for “Snowpiercer,” but yes, if every movie was an original idea and was focused on creating something new rather than imitation, than they would stick out! Even if a movie doesn’t completely work (which is not the case here), it is better to strive for…

“Godzilla” by Alexandre Desplat

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There are only a handful of new soundtracks each year that I want to support with custom album art. I normally pick my choices solely based on the respective directors or composers involved (this year that would be Gone Girl, Interstellar and The Hobbit). It happens very rarely that I encounter a new movie poster and immediately feel the urge to turn it into a custom cover. But it did happen in March with the SXSW poster to Gareth Edwards’ Godzilla. I quite enjoyed his directorial debut Monsters, but the art design for his follow-up project downright blew me away! From the posters campaign to the trailer (and hopefully so to Alexandre Desplat’s…