There are some directors out there that put special emphasis on design, and especially in this case, font design. Marc Foster for example, whose visual gimmickry made a so-so James Bond film kinda watchable. Or David Fincher, who’s still one of my favourite directors and a sure bet for the most elaborate title sequences in modern cinema. Steven Soderbergh is another director who I consider to be part of that small elitist group. There are some films in his body of work that downright ooze stylistic eye candy (sadly, sometimes over substance). Side Effects isn’t one of those films though. It’s a…
