My clean-cut plan to raise visitor stats from last week’s blog post seemed to work. All facts at hand are providing a strong suspicion that at least one of my two additional visitors was redirected here through those cleverly placed hashtags. To calm the crowd I immediately follow up this week with a not-so-popular soundtrack. In fact, I’m pretty sure that the bulk of film music fans couldn’t care less about an electronic score like Ex Machina. But I do. In my book it’s an absolute benchmark when it comes to audio post-production. Alex Garland’s directorial debut is an amazing, downright incredible visual experience, but combined with the musical score from…