My most wanted film of 2012 was Prometheus by Ridley Scott. Despite all its mind-boggling flaws, I still enjoyed the hell out of this movie. A thing that initially couldn’t be said about Marc Streitenfeld’s score though. While it’s still very effective and on certain tracks actually really good, it definitely fell behind the previous four scores of the Alien saga (yes, even Resurrection). Having said that, it kinda grew on me over time and I really appreciate the score now for being able to set the mood. Its atmospheric and unsettling sounds deserve recognition and what better way than…
Category: Alternates/Rejected Covers
Every now and then I’m publishing some alternate versions of my custom covers. Sometimes to illustrate the thought process behind it and other times to show that every successful design has a history of countless failed attempts behind it. The following posts contain those rejected covers, the ones you normally weren’t meant to see. Enjoy!
“Kong: Skull Island” by Henry Jackman
For the most part I was pretty underwhelmed by Kong: Skull Island. Instead of being entertained by an adventurous thrill ride I was irritated by a whole lot of problems. The “plot” is an absolute joke. Pacing is all over the place. The characters are your usual stereotypes… and even the monster fights can’t stand a chance against Peter Jackson’s King Kong from 2005. It seems like there’s not much left to like about this film. Certainly not Henry Jackman’s mediocre score. Okay, maybe the atmospheric cinematography by Larry Fong. And a particularly nice typography during the film’s opening and closing credits. But there’s…
“Cloverfield” by Michael Giacchino
There are two kinds of people: Those who leave a movie theater as soon as the credits start rolling and those who hold out until the very end, when the lights finally come back on. If you are part of the second group like me, you probably know of all the rewards you get if only you keep your ass seated as long as possible. Starting from the usual mid- and post-credits scene to animated end credits rolls and occasional outtakes. The most rewarding thing however might be those brief moments of tranquility, when you can just lean back and…
“Stranger Things” by Kyle Dixon, Michael Stein, Various Artists
Netflix’s Stranger Things is without a doubt this summer’s biggest TV sensation. No wonder the clamour for its original score was loud among fans. And the producers did answer in form of a massive 75-tracks-set, divided into two separate albums. Show ’em all you’ve got instead of setting a few specific marks, that probably was the motto behind those two releases. And while I do appreciate complete and expanded scores a lot, I’m a bit overwhelmed by that huge amount of music. But who am I to judge? I actually started working on this custom covers series before the official…
“Star Trek Beyond” by Michael Giacchino
Summer 2016 kicks off with a particularly colourful post for Star Trek Beyond, the third entry in the franchise reboot. And what a delight to see BLT Communications to come up with such a gorgeous poster campaign, after all those wasted opportunities for Star Trek Into Darkness. I only hope the film delivers what these fun and vibrant images seem to promise. Back for another round is also Michael Giacchino and I’m really glad he stayed with the series, as I enjoyed his two previous scores a lot! The official soundtrack album (#1), once again published by Varèse, is based on the teaser one-sheet. And I’m sorry to say so,…





