There was a time in the early 2000’s when I was particularly keen on Asian horror flicks. It all started with – I kid you not – a selfmade, unlabeled copy of Ju-On: The Grudge that a friend brought along. We’ve watched it late at night on my shitty telly, knowing nothing at all about it. And it totally caught us off guard and terrified us down to the bones. After that intense experience I craved for more. I’ve hunted down a whole bunch of films, such as the original Ringu, Uzumaki, Pulse (Kairo) or the episodic Three… Extremes. They were…
Category: Tribute Covers
The following posts contain custom covers that are either replicating pre-existing album artworks or were heavily influenced by other original art.
Lost Covers, Vol. 4
Man, has it really been this long already? Last week HQCovers has officially turned five. By now it has learned to write its own name and has become extremely picky when it comes to dress up in the morning. Also, its extended warranty has now expired, so your chance to file a complaint is officially over ;-) I deliberately didn’t parade this anniversary, because this blog is essentially the digital extension of my own self and thus doesn’t like to stand in the spotlight. Instead I once again let the art speak for itself. I’m actually publishing Vol. 4 of this ongoing thing,…
“Alien: Covenant” by Jed Kurzel
Considering the amount of time I’ve spent on Alien: Covenant‘s predecessor, I’m really as quick as lightning with this week’s custom covers collection. But you gotta be fair, I didn’t even roughly try to spend the same effort or reach the same scope as on Prometheus. And that’s okay, because at this point in time the available source material is nowhere near as good. The official marketing campaign brought us some spine-chillingly (or rather back-burstingly) good posters, yet overall I was a bit disappointed. Even more so when I think about how Ridley Scott in his old age seems to be getting better and better. In the…
“Prometheus” by Marc Streitenfeld, Harry Gregson-Williams
My most wanted film of 2012 was Prometheus by Ridley Scott. Despite all its mind-boggling flaws, I still enjoyed the hell out of this movie. A thing that initially couldn’t be said about Marc Streitenfeld’s score though. While it’s still very effective and on certain tracks actually really good, it definitely fell behind the previous four scores of the Alien saga (yes, even Resurrection). Having said that, it kinda grew on me over time and I really appreciate the score now for being able to set the mood. Its atmospheric and unsettling sounds deserve recognition and what better way than…
“Kong: Skull Island” by Henry Jackman
For the most part I was pretty underwhelmed by Kong: Skull Island. Instead of being entertained by an adventurous thrill ride I was irritated by a whole lot of problems. The “plot” is an absolute joke. Pacing is all over the place. The characters are your usual stereotypes… and even the monster fights can’t stand a chance against Peter Jackson’s King Kong from 2005. It seems like there’s not much left to like about this film. Certainly not Henry Jackman’s mediocre score. Okay, maybe the atmospheric cinematography by Larry Fong. And a particularly nice typography during the film’s opening and closing credits. But there’s…





