“The Host” by Byeongwoo Lee

There was a time in the early 2000’s when I was particularly keen on Asian horror flicks. It all started with  – I kid you not – a selfmade, unlabeled copy of Ju-On: The Grudge that a friend brought along. We’ve watched it late at night on my shitty telly, knowing nothing at all about it. And it totally caught us off guard and terrified us down to the bones. After that intense experience I craved for more. I’ve hunted down a whole bunch of films, such as the original Ringu, Uzumaki, Pulse (Kairo) or the episodic Three… Extremes. They were…

Lost Covers, Vol. 4

Man, has it really been this long already? Last week HQCovers has officially turned five. By now it has learned to write its own name and has become extremely picky when it comes to dress up in the morning. Also, its extended warranty has now expired, so your chance to file a complaint is officially over ;-) I deliberately didn’t parade this anniversary, because this blog is essentially the digital extension of my own self and thus doesn’t like to stand in the spotlight. Instead I once again let the art speak for itself. I’m actually publishing Vol. 4 of this ongoing thing,…

“The Last Guardian” by Takeshi Furukawa

You may have already heard of or even played Fumito Ueda’s latest masterpiece The Last Guardian. For those who didn’t, it’s a PlayStation game that has been in active development for a mind-boggling decade. But last November it finally hit the shelves and with it came one of the most beautiful game soundtracks of recent times. Takeshi Furukawa’s original score covers the whole range. From the sensitive piano driblets that emphasize the touching relationship between the boy and the beast, to propulsive but never repetitive rhythm sections that drive you forward during the tense action sequences. Atop of that Furukawa wrote…

“Alien: Covenant” by Jed Kurzel

Considering the amount of time I’ve spent on Alien: Covenant‘s predecessor, I’m really as quick as lightning with this week’s custom covers collection. But you gotta be fair, I didn’t even roughly try to spend the same effort or reach the same scope as on Prometheus. And that’s okay, because at this point in time the available source material is nowhere near as good. The official marketing campaign brought us some spine-chillingly (or rather back-burstingly) good posters, yet overall I was a bit disappointed. Even more so when I think about how Ridley Scott in his old age seems to be getting better and better. In the…