You may have already heard of or even played Fumito Ueda’s latest masterpiece The Last Guardian. For those who didn’t, it’s a PlayStation game that has been in active development for a mind-boggling decade. But last November it finally hit the shelves and with it came one of the most beautiful game soundtracks of recent times. Takeshi Furukawa’s original score covers the whole range. From the sensitive piano driblets that emphasize the touching relationship between the boy and the beast, to propulsive but never repetitive rhythm sections that drive you forward during the tense action sequences. Atop of that Furukawa wrote…
Category: Custom Covers
The following posts contain custom covers either made by myself or as stated individually.
“Alien: Covenant” by Jed Kurzel
Considering the amount of time I’ve spent on Alien: Covenant‘s predecessor, I’m really as quick as lightning with this week’s custom covers collection. But you gotta be fair, I didn’t even roughly try to spend the same effort or reach the same scope as on Prometheus. And that’s okay, because at this point in time the available source material is nowhere near as good. The official marketing campaign brought us some spine-chillingly (or rather back-burstingly) good posters, yet overall I was a bit disappointed. Even more so when I think about how Ridley Scott in his old age seems to be getting better and better. In the…
“Prometheus (Deluxe Edition)” by Marc Streitenfeld, Harry Gregson-Williams
During my massive three-year undertaking for Marc Streitenfeld’s Prometheus I constantly persuaded my dear friend SonicAdventure to bless this score with one of his trademark Deluxe Edition treatments. He’s a freelance audio wizard who’s had mixed and remastered numerous film score recording sessions in the past. And Prometheus seemed to me like the perfect opportunity for us to collaborate again. One lovely evening I’ve sent him a design sketch for a Deluxe Edition and I guess that finally won him over. He gave in and decided to have a look (or rather, a listen) to the sessions. At the same time I started working…
“Prometheus” by Marc Streitenfeld, Harry Gregson-Williams
My most wanted film of 2012 was Prometheus by Ridley Scott. Despite all its mind-boggling flaws, I still enjoyed the hell out of this movie. A thing that initially couldn’t be said about Marc Streitenfeld’s score though. While it’s still very effective and on certain tracks actually really good, it definitely fell behind the previous four scores of the Alien saga (yes, even Resurrection). Having said that, it kinda grew on me over time and I really appreciate the score now for being able to set the mood. Its atmospheric and unsettling sounds deserve recognition and what better way than…
“ADR1FT” by Adam Orth
A few days ago I got the chance to play ADR1FT on a virtual reality setup – and it was absolutely mind-blowing. As long as I can remember I have been fascinated by space. As utopian as it may be, it has always been a lifelong dream of mine to float in outer space and look down to Earth. To see this marvelous, blue glowing ball hanging in front of me with nothing in between but black void. And I think ADR1FT has fulfilled this dream as much as possible. I can now somewhat imagine what it must feel like to float in zero G,…





