“Blade Runner 2049” by Benjamin Wallfisch, Hans Zimmer

There’s a lot to love about Blade Runner 2049, whether it’s the faithful continuation of the story from original pen Hampton Fancher or the stunningly beautiful cinematography from camera virtuoso Roger Deakins. A lot of things that deserve to be praised. Unfortunately the films marketing campaign ain’t one of them. And it’s a real shame, because, considering its poor box office performance, this film really could have used some catchy and favourable media coverage. Instead we got this trite orange & teal trivialities that look nothing like Denis Villeneuve’s dark nuanced neo-noir thriller. Not like the barren wastelands and certainly…